The one thing everyone has asked for concerning Brexit, particularly business people, is certainty. We need to know what is going to happen when (if?) we leave the EU. Most MPs, most business people and, I think now, most citizens, don’t want to leave and do not want the uncertainty of a botched, no deal exit. Yet, confusion reigns. May does her utmost to annoy everyone – Parliament and the 27 leaders of the EU included – while saying she speaks for “the people”. One thing is certain – she doesn’t speak for me. The funny thing is I don’t think she speaks for the ardent leavers either, so who does she speak for? We are now in the situation of the EU imposing dates because our government has failed to make any plans at all or to say what it wants. We have a couple of weeks for a majority in Parliament to come together behind some course of action – preferably and most sensibly the revocation of Article 50 to reset things to where they were three years ago, followed by a further (non-mandatory) referendum to gauge voters inclinations (hopefully to remain in the EU), followed by a general election to give a mandate to someone who isn’t May. The damage done to the country over the last three years (to say nothing of the effects of austerity, and so on, since the 2008 crash) won’t be repaired soon. We have to regain of the confidence and goodwill not only of our European colleagues but our overseas trade partners such as Japan (which invested such a lot here since the 1980s and basically saw it being trashed by Brexit).
But who knows where we’ll be on 12th April.
I was on the radio on Monday evening – BBC Hereford & Worcester. The occasion was the announcement by musician Sam Smith that he considers himself non-binary. I’ve been the go to person for H&W for while when anything trans related gets tackled on the evening rush hour prog. The presenter, Andrew Easton, asked some sensible, if basic, questions which were actually about me rather than Sam Smith, and we went on rather longer than was planned I think. I talked about the “spectrum of gender identity”, rejecting male and female stereotypes, and the toxic effect of gender inequality on women in all areas of society. We talked about titles, and whether there is any necessity for them any longer on documents such as passports (surely biometrics provide a much more secure check than whether someone is Mr or Ms.), and the need for non-gendered toilets and changing areas (easily provided if given a bit of thought and more efficient in the long run). I think it went well. Andrew ended by politely asking how old I was since it might have been thought a “snowflake” issue given Sam Smith’s relative lack of years. I told him I was 66 that day – so I got a Happy Birthday broadcast on regional radio.
This week’s piece for my writers’ group was a bit of an experiment. The topic was “digging my heels in”. My literal brain immediately had an image of just that, which connected with an incident that occurred to Jasmine Frame in Painted Ladies. So I wrote another take on it but written in the 2nd person. (the character is neither Jasmine, nor me). It is quite unusual to use 2nd person in fiction but N K Jemisin uses it for one of the three character strands that run through her triple Hugo winning trilogy, The Broken Earth. It seems to me quite effective at putting the reader in the position of the protagonist although it doesn’t necessarily let you know what they are thinking (1st person does that). Let’s see what you think. Here is Heels:
You stand in front of the long mirror, turn from side to side, peer at the image. It is not you. Not the you that you see in your mind. You recognise it though, that nose that is too large, the thin lips, the short, thinning hair, the wide shoulders and the narrow hips. It’s not all bad. Your new red bra covering the enhancers has given you something of a figure, and the matching knickers are covering what’s below.
You sigh and pull on the tights and the red dress. The hem is just above your knee, sexy but not tarty. You sit down at the dressing-table and start applying your make-up. You’ve done this many times so you know what works and what doesn’t. When you’re finished you stand and slip the brunette wig onto your head and look in the mirror again. That’s better. The wig and make-up may be a disguise, but you are behind it looking out.
You slide your feet into the red shoes with the three-inch, almost-stiletto, heels. You stand again and face the long mirror. You’ve practised wearing the heels, day after day. You strutted around the flat holding your head up, forcing your legs and back to be straight. You toppled and almost fell often, but gradually you learnt how to keep your balance and walk while always on tiptoe. It was agony at first, the shoes rubbed your heels and your toes hurt. It was worth it. Now you’re ready.
A beep comes from your phone. You grab it and search out the text message. It’s just a smiley but it means that Carol is outside. You glance through the curtain. Yes, there is her car on the road. She’s managed to park right by your gate. You put your coat on, the shiny black, pvc mac, and pick up your handbag.
You hurry from the door to the car. It’s a dark, damp evening, so perhaps none of the neighbours have seen you, or recognised you.
“Hi, Nikki,” Carol says as you slide into the passenger seat. Her voice is lower than yours, but she doesn’t care. “Ready for it then?”
“You bet,” you reply. Does your nervousness show in your voice? You hope not. You’ve been looking forward to this evening out. You don’t want to appear to be the novice that you really are.
“Let’s hit the town then.” Carol presses her foot on the accelerator.
The club is crowded. The flashing lights make it almost impossible to discern the variety of bodies, drinking, dancing and chatting, well, shouting at each other. The air hot and damp and full of smells of cheap perfume, sweat and a few other substances. You sip your g&t while looking around, taking in the sights and the sounds. How many of the girls are like you? How many of the girls are girls? There are men too, some with the girls, some circulating, eyeing up the others, the unattached.
“Let’s dance,” Carol shouts in your ear. She takes your hand and hauls you up. You stagger a little getting your balance on those three-inch heels. Then you follow her into the mêlée of gyrating bodies. The noise is deafening but there is rhythm. You start to move to the beat, enjoying the feeling of your make-believe breasts oscillating up and down. For a few moments you lose touch with your surroundings, just enjoying being a dancing girl.
Bodies press against you. You open your eyes. A man has inserted himself between you and Carol. He’s in a shiny, grey suit with a white shirt and thin black tie. His hair is slicked down and combed to one side. He could be your age, perhaps younger. He’s examining you, eyes flicking from the top of your wig down passed your boobs to the hem of your dress which is flapping as you dance.
He gives you a smile. It’s not a cheery, friendly smile. It doesn’t make you feel happy. He comes closer. It could be the press of the other bodies, but you think it’s deliberate. He wants to be close to you. He places a hand on your right hip. You shudder. It wasn’t what you were wanting or expecting. What were you expecting? Definitely not contact.
He leans forward so his lips are by your ear.
“Nice dress,” he shouts. He straightens up again, the leer back on his face. You try a smile, but you aren’t sure if it looks like one.
His hand is still on your hip. You’ve almost ceased dancing because you’re afraid the hand might move with you. He’s looking into your eyes. You’re looking back. Wondering.
You’re not prepared for his next move. His other hand shoots up your dress and grabs you between your legs. He’s found something to grab hold of. Now his smile becomes a laugh. His grip tightens. You can’t move. You can’t think.
He edges forward again, his feet between yours, your crotch held tight. “I thought so. Tranny.”
You have to get away. You don’t want what he wants, whatever that might be. One thought comes into your brain. You lift your right foot. You slam it down heel first. On his foot.
His hands release you. He falls back. His scream is audible above the music. You stand and stare.
Carol grabs your hand. “Let’s get out of here.”
She guides you from the club, pausing just to pick up your coats. You’re outside.
“Run. Before they see we’ve gone. He and his mates will do you in if they catch you.”
You hurry after her, your heels clattering against the pavement. You’re not thinking of keeping your back straight now.
You reach the car. Carol’s already inside starting the engine. You move off as you pull the door closed.
You sigh. Carol glances at you as she manoeuvres onto the road and speeds up.
“What did he do? Grab your balls?”
You nod. You’re shaking.
“Did you push him or something?”
“I dug my heel into his foot.”